ENGL 486.001, MW 3:00-4:15 p.m.                                                                                                 John Kalb

CH 111                                                                                             Office:  350 Holloway Hall, 410-543-6049

Fall 2005                                                                                 Hours: MW 1:00-2:50, TR 1:00-3:15 & by appt.

                                                                                                                             email: jdkalb@salisbury.edu

                                                                                                                                                                          

American Novel III: 1945-Present

 

Texts:    John Barth, The End of the Road (paired with The Floating Opera)

               Ken Kesey, One Flew Over the Cuckoo's Nest

               Thomas Pynchon, The Crying of Lot 49

               Toni Morrison, Beloved

               Edward P. Jones, The Known World

               Cormac McCarthy, All the Pretty Horses

               Louise Erdrich, The Last Report on the Miracles at Little No Horse

               Don DeLillo, White Noise

                              

In this course, we will be reading and discussing novels from contemporary American authors.  The so-called contemporary period covers 1945 to the present.  We will be focusing our attention primarily on works from the last 4 decades (or so) of this period.  Specific objectives of the course include, but are not limited to, the following:

1) to acquaint students with a sampling of contemporary American novelists;

2) to assist students in placing the texts within the socio-political and cultural contexts of their time;

3) to help students to read literature actively and critically;

4) to familiarize and equip students with the vocabulary and critical tools necessary in order to discuss and write about contemporary American literature successfully; and

5) to provide students with some understanding of the thematic and stylistic trends in contemporary American fiction over the past 40 years.

 

Course Requirements:  You will need to read all assignments before coming to class and come to class prepared to discuss them.  For each day’s reading assignment, you will write a one page analytical response. You must bring the text we are reading and discussing and your written analysis to class each day.  You will also take 15 quizzes, take two tests and a final examination, write two formal essays, and participate in class discussions.

 

Grading:

               Class Participation                                                50 total points possible

Class Preparation (Analytical Responses)         100 total points possible

               15 Quizzes @ 10 points possible each              150 total points possible

               2 Tests @ 100 points possible each                  200 total points possible

               2 Essays @ 150 points possible each               300 total points possible

               Final Exam                                                          200 total points possible

 

900-1000 points = A; 800-899 points = B; 700-799 points = C; 600-699 points = D.

 

Please note: Failure to complete any of the course requirements may mean failing the course.  None of these requirements is optional.

 

Class Preparation:  The best ways to illustrate that you are an active, engaged, and interested student are 1) reading all assignments before coming to class, 2) preparing your required one page analytical response, and 3) contributing regularly to class discussions. I ask you to give these reading assignments more than a quick once-over. Active readers take notes; underline important and mystifying passages; make margin comments to themselves, to authors, to characters; take the time to think about what they've read; re-read the selection if necessary; and come to class prepared to ask and answer questions.

 

Class Preparation (Analytical Responses):  For reading assignment, you need to prepare a one page (minimum and maximum) analytical response. ("One page" means one side, single spaced on 8 1/2" x 11" paper. If your paper is undersized, please write the equivalent amount.) The crucial question each response should answer in a focused and thoughtful way is "What is the most significant aspect of this portion of the novel?" Please try to make these writings a meaningful experience and do not write plot summaries or emotional reactions. A separate handout explains this requirement in more detail.

           When we meet to discuss each reading assignment, I will frequently call on students at random to share their responses with the class as a means of beginning our class discussion. Frequently, I will collect and respond to these responses, but whether I collect them or not, these writings are part of your class preparation.

 

Quizzes: You can expect a quiz on any day for which you have a reading assignment. There will be quizzes on 15 of the reading assignments. If you wish to take a quiz, you must arrive on time. There will be no make-up quizzes. If you do not attend class on the day of a quiz or arrive too late to take a quiz, you forfeit those 10 possible points.

 

Tests and Final Exam:  All tests will be partially objective and partially essay in nature. You will usually have some choice among the essay questions. Except in extreme circumstances, there will be no make-up tests.

 

Papers: The first essay--due on Wednesday, October 19–will focus on one of the early texts of the course:  End of the Road, One Flew Over the Cuckoo’s Nest or The Crying of Lot 49.  The second essay–due on Wednesday, December 7–will focus on one of the novels read since The Crying of Lot 49. Both essays will entail some thoughtful, coherent analysis of that selected text in light of its portrayal of a specific dilemma/problem/difficulty facing America, Americans and/or human beings. You will receive a more detailed description of this assignment in a few days.

           Late papers will be graded 10 points lower for each day they are late. 

           The numerous writing activities--both informal and formal--indicate that the instructor is a firm supporter of writing as an important means of learning and of SSU's Writing Across the Curriculum policy.

 

Plagiarism: The English Department takes plagiarism, the unacknowledged use of other people's ideas, very seriously indeed. As outlined in the Student Handbook and Directory under the "Policy on Student Academic Integrity," plagiarism may receive such penalties as failure on a paper or failure in the course. The English Department recognizes that plagiarism is a very serious offense and professors make their decisions regarding sanctions accordingly. Each of the following constitutes plagiarism:

1. Turning in as your own work a paper or part of a paper that anyone other than you wrote. This would include but is not limited to work taken from another student, from a published author, or from an Internet contributor.

2. Turning in a paper that includes unquoted and/or undocumented passages someone else wrote.

3. Including in a paper someone else's original ideas, opinions or research results without attribution.

4. Paraphrasing without attribution.

           5. Turning in the same paper for credit in more than one class.

A few changes in wording do not make a passage your property. As a precaution, if you are in doubt, cite the source. Moreover, if you have gone to the trouble to investigate secondary sources, you should give yourself credit for having done so by citing those sources in your essay and by providing a list of Works Cited or Works Consulted at the conclusion of the essay. In any case, failure to provide proper

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attribution could result in a severe penalty and is never worth the risk.

           In addition to the submission of actual printed essays for grading, students in this course will also be required to submit their formal essays electronically to www.turnitin.com.

 

Attendance:  I expect to be here every day and hope you will do the same.  As you've no doubt noticed by now, this course will be a fairly intensive reading and writing course.  Your success in the course will be contingent upon your preparation for and participation in class sessions. You may miss three classes (for whatever reason) without direct penalty.  Each day you miss beyond those three “freebies” will reduce your overall points as follows: -25 points for the third day, - 50 for the fourth, -75 for the fifth, and so on. (That’s not minus 75 points for missing those three extra days; that’s minus 150 points. So if you have a schedule conflict with this course, you should select a course that better fits your schedule.)  Remember that YOU are responsible for meeting deadlines and making up any missed work.

           I will, of course, also expect you to arrive promptly for class and stay for the duration of each session.  Schedule your other activities around this course, not vice versa.  In addition, students who come to class ill-prepared (i.e., without the novel we’re discussing, having not read the assignment) may be asked to leave the classroom and invited to return another day on which they are better prepared.  Please turn your cell phones and pagers OFF before entering the classroom.

 

Office Hours:  MW 1:00-2:50, TR 1:00-3:15.  These times are set aside for you; don't hesitate to take full advantage of my availability at that time.  Please feel free to speak with me about any concerns or interests during those hours or, if those times are inconvenient, by appointment. 

 

Assignment Calendar

 

Aug.      29       Introduction to course

             31       Introduction ctd.                                      

 

Sept.     5       Labor Day – No Class

               7       The End of the Road (to page 301; to chapter 5)

 

             12       The End of the Road (to page 403; to chapter 11)

             14       The End of the Road (to end)

 

             19       One Flew Over the Cuckoo's Nest (to page 128; to part 2)

                        “An Evening with John Barth” September 20, 8:00 p.m., Wicomico Room, GUC

             21       One Flew Over the Cuckoo's Nest (to page 174, to part 3)

 

             26       One Flew Over the Cuckoo's Nest (to end)

             28       The Crying of Lot 49 (to page 64; to chapter 4)

 

Oct.        3       The Crying of Lot 49 (to end)

               5       TEST #1

 

             10       Beloved (through 165; to Part Two)

             12       Beloved (through 235; to Part Three)

 

             17       Beloved (to end)

             19       The Known World (to page 105; to chapter 4)

                        Paper #1 Due

 

             24       The Known World (to page 275; to chapter 9)

             26       The Known World (to end)                     

 

             31       TEST #2

Nov.        2       All The Pretty Horses (to page 97; to part II)

 

               7       All The Pretty Horses (to page 219; to part IV)

               9       All The Pretty Horses (to end)

 

             14       The Last Report on the Miracles at Little No Horse (to page 159; to Part Three)

             16       The Last Report on the Miracles at Little No Horse (to page 255; to Part Four)

 

             21       The Last Report on the Miracles at Little No Horse (to end)

             23       Thanksgiving Break – No Class

 

             28       White Noise (to page 106; to Part II)

             30       White Noise (to page 164; to Part III)

 

Dec.       5       White Noise  (to end)

               7       Wrap Up

                        Paper #2 Due

                

Final Exam: Wednesday, December 14, 1:30-4:00

 

This schedule of assignments is, of course, subject to change.